Posts Tagged ‘poetry’

Natalie Merchant and the 'Flat, Dead Pages'

In Entertainment on April 20, 2010 at 9:02 am
NEW YORK - APRIL 13:  Singer Natalie Merchant ...

Image by Getty Images North America via Daylife

In February, Natalie Merchant appeared at a TED (Technology, Entertainment, Design) Conference where she performed songs from then-upcoming album, Leave Your Sleep.

The album, 26 poems set to music, came out last week and is a delight to listen to. But that’s not why I’m writing about it.

When Merchant performed at TED, she spoke of the joy of taking the poems and setting them to music.

Unfortunately, as Carolyn Kellogg, the smart and talented writer at the LA Times pointed out, Merchant wasn’t all that delicate.

“What I’ve really enjoyed about this project is reviving these people’s words, taking them off the dead flat pages, bringing them to life,” Merchant said.

“What poet sees his or her work as being written for “dead flat pages’?” Kellogg responded.  “Most poems are written for the page, and many poems use the page layout as part of their expression. That would include the work of e.e. cummings, one of the poets whose work Merchant has set to music.

“Seems to me that poems set to music are a nice novelty, but that doesn’t make them new and improved. It transmutes them as lyrics, but it would be a mistake to think this improves on their original form.

“Flat pages? Sure. Dead pages? Maybe not.”

Kellogg is dead on in that regard.

Where I think she is a little off is in her sort of dismissive “seems to me that poems set to music are a nice novelty.”

Without a doubt, setting a poem to be music — no matter how beautiful the result may be — doesn’t mean it’s better.

At the same time, there’s always the chance that the adaptation — which is really what Merchant’s come up with — is quite good in its own right.

My Fair Lady vs. Pygmallion, for instance. Or Jane Smiley’s A Thousand Acres and King Lear? Emma and Clueless?

The Godfather the movie and The Godfather the book?

Merchant maybe came across as a little full of herself, maybe a little less than elegant. But the thought of adapting a work of art to another medium, adding a little of yourself and exposing a new audience to the original work (and Merchant is selling her album with a 74-page book with the poems and essays on the poets) is an admirable one.

Certainly a little more than a “nice novelty.”

Adopt a Poet for National Poetry Month

In Entertainment, Uncategorized on April 13, 2010 at 4:51 pm

Every now and then you read about someone like Harryette Mullen winning a large cash prize for poetry.

Which is, of course, very nice for Mullen, a professor at UCLA who writes lines like:

“she gets to the getting place

without or with him

must I holler when

you’re giving me rhythm.”

(from [go on sister sing your song])

But it also points to the larger issue of how most poets (and I think we can safely add in most other writers, artists in general) make very, very little money, woefully little money.

And it’s not a new problem.

The new issue of Lapham’s Quarterly has a nifty graphic showing the day jobs of some writers over the years: Trollope worked as a postal inspector, Bronte was a governess, Kafka worked for an insurance company.

In 1938, Time Magazine reported on a study from the Academy of American Poets on the average earning of “established” poets — defined as one in middle life with four volumes to his credit.

“That poets have low incomes is no more news than that they are temperamental,” the story started before summing up that a poet with those books might get $250 a year and maybe another $250 a year from magazines.

I bring it up because April is National Poetry Month, which was started by the Academy in 1996 with the hopes of turning April into a month “when publishers, booksellers, literary organizations, libraries, schools and poets around the country band together to celebrate poetry and its vital place in American culture.”

The program has grown over the years and is now celebrated with readings and programs in schools and even an app.

Well, if you’re looking for a way to mark the occasion — I have an idea: adopt a poet.

Not literally, of course.

In an age where Glenn Beck is making some $13 million a year from books, maybe it’s time we did something to help those who are certainly as deserving.

So, what do I mean by adopting a poet?

Buy a book from a small press such as Wesleyan University Press, which yesterday celebrated one of its books winning the Pulitzer.

Subscribe to a literary magazine.

Go to a reading.

Support a not-for-profit.

The key is use this month to show your appreciation for the arts — poetry, in particular — and the people who create it,